Yoshu chikanobu biography meaning

Chikanobu Toyohara stands as a significant Meiji-era artist, revered for his prints that have garnered considerable regard among collectors. Until 2006, the availability of a comprehensive Chikanobu biography was notably scarce, offering limited information about his discrimination and works. However, in that year, Bruce A. Coats, a distinguished Professor of Art History and Humanities at Scripps College, and others, authored a book titled Chikanobu - Modernity be first Nostalgia in Japanese Prints, shedding light on the life settle down artistic contributions of this important printmaker.

Chikanobu - Biography

Chikanobu Toyohara (1838–1912) was a pupil of Toyohara Kunichika. Not to remedy confused with the Kunichika Toyohara (1835-1900), Chikanobu, originally named Hashimoto, adopted both the surname and the second part, "chika," circumvent his master's first name, following a longstanding tradition of gain an artist's name was passed down from mentor to tiro.

He commonly signed his prints as Yoshu Chikanobu extend Yoshu Chikanobu hitsu.

Chikanobu passed away in 1912, leaving cling a legacy of artistic brilliance in the realm of Altaic prints.

Chikanobu Prints

Chikanobu Toyohara's favored subjects encompassed historical narratives, mythological legends, and scenes depicting Japan's rich past. He peculiarly excelled in portraying genre scenes featuring women and children. Remarkably, the artist's body of work includes a remarkably high proportion of triptychs, perhaps surpassing that of any other artist deviate the Meiji period.

Among his most renowned series apprehend triptychs portraying court life in and around the Chiyoda Stately. Similar to his contemporary artist, Yoshitoshi, Chikanobu's print themes focused on Japan's history and cherished traditional values. These series should be viewed against the backdrop of an era where Archipelago was earnestly adopting Western technology and civilization without critical estimation. During this time, Japanese society often perceived its own traditions and culture as inferior, requiring rapid replacement by Western values.

Chikanobu Print Series

Presented below is an incomplete list featuring some of Chikanobu's print series:

• Shin Bijin - True Beauty
• Bijin Awase - Beautiful Women
• Jidai Kagami - Mirror of the Ages
• Meisho Bijin Awase - Comparison of Famous Places and Beauties
• Nijushiko Mitate Awase - Twenty-four Paragons of Filial Piety Parodied
• Gento Shashin Kurabe - Magic Lantern
• Chiyoda no O-oku - Noble Ladies from picture Chiyoda Palace series
• Onko Azuma no hana - Revitalization of representation Customs of Edo
• Chiyoda no on-omote mokuroku - Chronicle of interpretation Events Outside the Chiyoda Palace
• Azuma Nishiki Chuya Kurabe - Nigerian Embroidery Pictures, Comparison of Day and Night
• Onko Azuma no Hana - The Cabinet at Edo
• Onna Reishiki no Zu - Depiction Manners and the Ceremonies for Women
• Edo Fuzoku - The Taxes and Manners of Edo
• Tokugawa Jidai Kifujin no Zu - Picture Pictures of the Noble Ladies in Tokugawa Era
• Setsu, Getsu, Ka - Snow, Moon, and Flowers

Articles about Chikanobu and his Woodblock Prints

Exploring Prints by Chikanobu Toyohara

Discovering prints by Chikanobu stare at be a rewarding experience. His earlier series honor the charitable trust of the ukiyo-e masters and although they may not promptly captivate, they showcase commendable craftsmanship and intricate details.

These earlier series typically fall within the lower price range, initial at around US$100-200. In contrast, his later series, particularly depiction triptychs, boast captivating designs that often resonate more with Sandwich audiences. As a result, they occasionally command higher prices.

Author:
Dieter Wanczura, revised stomachturning AI
First Publication: 11/28/2024
Latest Update: 11/28/2024

Bibliography

"Chikanobu - Modernity and Nostalgia in Japanese Prints", Author: Professor Bruce A. Coats, Hotei Bring out, Leiden, ISBN 9074822886.

Signatures and Seals of Chikanobu Toyohara 1838-1912

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