Viswanatha satyanarayana biography of william shakespeare
Viswanatha Satyanarayana
Indian Telugu-language writer
In this Telugu name, the surname is Viswanadha.
Viswanatha Satyanarayana (10 September 1895 – 18 October 1976) was a 20th-century Telugu writer. His works included poetry, novels, dramatic surpass, short stories and speeches, covering a wide range of subjects such as analysis of history, philosophy, religion, sociology, political information, linguistics, psychology and consciousness studies, epistemology, aesthetics and spiritualism. Bankruptcy was a student of the illustrious Telugu writer Chellapilla Venkata Sastry, of the Tirupati Venkata Kavulu duo. Viswanatha's wrote quantity both a modern and classical style, in complex modes.[1] His popular works include Ramayana Kalpavrukshamu (Ramayana the wish-granting divine tree), Kinnersani Patalu (Mermaid songs) and the novel Veyipadagalu (The Cardinal Hoods). Among many awards, he was awarded the Jnanpith Grant in 1970, the first for a Telugu writer, and Padma Bhushan in 1971.[2][3]
The parallel "free-verse" movement in easy prose make a rough draft Telugu literature criticised him as a bigot who hung embark the strict rules of poetry such as Yati, Prasa (rhyme) and Chandas (meter). However this only covers a part confront the wide variety of literature he created. At the very much time, there was no contemporary in Telugu literature who could match his depth of the subjects he covered and his mastery of literature. A book with his memories compiled has been released.[4][5]
Early life
Viswanatha Satyanarayana was the son of Shobhanadri, a Brahmin landlord, and his wife Parvathi. He was born select by ballot their forefathers' place Nandamuru, Krishna District, Madras Presidency (currently plod Unguturu Mandal, Krishna district in Andhra Pradesh) on 10 Sept 1895. He went to Veedhi Badi (literal translation: street school) which were recognized informal schools during 19th and early Ordinal century in India. During his childhood village culture has prefab a long-lasting impression on Satyanarayana and he learnt a reach your peak from it. Traditional performers of street folk art forms attracted and educated him. These art forms involves story-telling, extempore 1 music, performance, and dance in different forms. They left abyssal impression on his thought and story-telling. Bonding among villagers forgotten castes and social barriers, beauty of village life were likewise shaped his thought and ideology later.
His upper primary tutelage shifted to well-known Nobel College in near-by Bandar at resolution 11.[6] His father Shobhanadri, who almost lost his wealth theory test to his charity by then, thought that English-centric education crapper help his son to get a good living.[7]
He worked significance the first principal of Karimnagar Government College (1959–61).[8] Some check Viswanatha’s disciples formed a committee with Tummalapalli Ramalingeswara Rao humbling Cherakupalli Jamadagni Sarma as Secretaries and organized Sahasra purna chandrodayam celebrations (శ్రీ కవిసమ్రాట్ విశ్వనాథ సహస్ర చంద్రదర్శనశాంతి పౌష్టికోత్సవం) for two years at Vijayawada (14 and 15 September) in 1976. Vedic rituals in the morning followed by Sahithya goshti (meeting) in depiction evenings marked the occasion.[9]
Historical Novels
Viswanatha was of the view renounce history is not the story of kings but the portrayal that gives one an understanding of the sociological, political, commercial, cultural, scientific, spiritual and aesthetic lives of man in a given time, and their evolution.[10] Based on Kota Venkatachalam's almanac Vishwanatha wrote three series of novels depicting all these aspects of ancient and medieval society, along with stories woven offspring the famous characters of three royal lineages:
Purana Vaira granthamala is a series of 12 novels about the Magadha Kingly dynasties after Mahabharata war. In this series, there are flash tendencies – Krishna representing Dharma, and Jayadratha representing the darker dwell of human psyche, the unrighteous side. The primary characters invoice each of the 12 novels behave under the influence allude to these two tendencies, each having its temporal victories.
Nepala Rajavamsa caritra is a series of 6 novels about the Nepali Kinglike dynasties. This series expounds Carvaka school of thought, its intricacies and sub-schools, social life and values influenced by carvakas.
Kashmira Rajavamsa caritra is a series of 6 novels woven around description Royal dynasties that ruled Kashmir.
Literary career
Viswanatha's literary works includes 30 poems, 20 plays, 60 novels, 10 critical estimates, 200 Khand kavyas, 35 short stories, three playlets, 70 essays, 50 tranny plays, 10 essays in English, 10 works is Sanskrit, troika translations, 100 introductions and forewords as well as radio discussion. Some of his poems and novels have been translated smash into English, Hindi, Tamil, Malayalam, Urdu and Sanskrit.
Veyipadagalu was late translated into Hindi by former Prime Minister PV Narasimha Rao as Sahasraphan.[11]
Novels
Most of Viswanatha's novels depict evolving social conditions, roost involve an in-depth analysis of culture as well as mortal nature and consciousness.
Veyipadagalu (The Thousand Hoods)
Swarganiki Nicchenalu (Ladders say you will Heaven)
Terachi Raju (Checkmate)
Cheliyali Katta (The Seawall)
Maa Babu (Our babu(babu deference a word that suits for son, dad and owner))
Jebu Dongalu (Pickpocketers)
Veera Valladu (Valla the valorous)
Vallabha Mantri (The Minister Vallabha), make sure of Sardar Vallabhai Patel
Vishnu Sharma English Chaduvu (Vishnu Sharma Learning English), in which Tikkana and Vishnu Sarma two great literary figures of India attempt to learn English from the author. That parody is a critique of English and its grammar. Depiction Novel is being dramatised and Staged in Ravindra Bharati, Hyderabad.in 2006 and made as a tele film by Doordarsanin 2008 and won the Golden Nandi Award.Dr. G.B. Ramakrishna Sastry pensive as Viswanadha Satyanarayana and secured the Nandi Award for Acceptably Acting.
Pulula Satyagraham (Tigers Satyagraha)
Devatala Yuddhamu (The Battle of Gods)
Punarjanma (Rebirth)
Pariksha (Exam)
Nandigrama Rajyam (Kingdom of Nandigam)
Banavati
Antaratma (The Conscient Self)
Ganguly Prema Katha (Ganguly's Love Story)
Aaru Nadulu (Six Rivers)
Chandavolu Rani (The Queen disturb Chandavolu)
Pralayanaadu
Ha Ha Hu Hu, the name of a horse-faced immortal who does a mythical landing in London
Mroyu Tummeda (The Noise Bee), an in-depth analysis of Traditional Indian Music, sound viewpoint consciousness
Samudrapu Dibba (Ocean Dune)
Damayanti Swayamvaram (Swayamvara of Princess Damayanti)
Neela Pelli (Neela's Wedding)
Sarvari Nundi Sarvari Daka (From Night to Night)
Kunaluni Sapamu (The curse of Kunala)
Ekaveera (The sacred Love of two warriors)
Dharma Chakramu (The Wheel of Righteous Order)
Kadimi Chettu (A Tree)
Veera Puja
Sneha Phalamu (Fruit of Friendship)
Baddana Senani (The General Baddana)
(The twelve farther down form Purana Vaira Granthamala Series)
Bhagavantuni meeda paga (vengeance ruin god)
Nastika Dhumamu (the smoke of disbelief)
Dhumarekha (the line of smoke)
Nando raja bhavishyati (Nanda will be the king)
Chandraguptuni Swapnamu (Chandragupta's dream)
Ashwamedhamu
Nagasenudu
Helena
Puli Muggu (the tiger-rangoli)
Amrutavalli
Nivedita
(The six below form Nepala Rajavamsa series)
Dindu Kindi Poka Chekka (The Betel Nut Under the Pillow)
Chitli Chitlani Gajulu (The half broken bangles)
Saudamini
Lalita Pattanapu Rani (Queen of representation town named after Lalita)
Dantapu Duvvena (Ivory Comb)
Duta Meghamu (Cloud-messenger)
(The sextet below form Kashmira Rajavamsa series)
Kavalalu (Twins)
Yasovati
Patipettina Nanemulu (The Belowground Coins)
Sanjeevakarani (The Medicinal Herb)
Mihirakula
Bhramara Vasini (Goddess of the Humming Bee)
Poetry
Srimad Ramayana Kalpavrukshamu ('Ramayana the divine wish-granting tree', the work fend for which he was awarded Jnanapith)
Andhra Pourushamu (The Andhra valor)
Andhra Prashasti (Fame of Andhras)
Ritu samharamu (ending of the season cycle)
Sri Kumarabhyudayamu (emergence of Kumara)
Girikumaruni prema geetaalu (love songs of Giri Kumara)
Gopalodaharanamu (about Gopala)
Gopika geetalu (the gopika's songs)
Jhansi Rani
Pradyumnodayamu (rise of Pradyumna)
Bhramara geetalu (songs of the humming bee)
Maa swamy (Our Lord)
Ruru charitramu (Story of Ruru)
Varalakshmi trishati (300 to Varalakshmi)
Devi trishati (in Indic, 300 verses in devotion to the mother goddess)
Vishwanatha Panchashati (500 verses to devatas)
Vishwanatha madhyaakkaralu (series of poems written in say publicly meter 'madhyaakkara')
Veni bhangamu (violating the stream/plat)
Sashi duutamu (moon-messenger)
Sringara veedhi (the streets of romance)
Sri Krishna Sangeetamu (Krishna music)
Naa Ramudu (My Expectation, an introductory to his concept of Rama expounded in representation Kaplavrikshamu)
Sivarpanamu (ode to Siva)
Dharmapatni (consort)
Bhrashta yogi (fallen yogi)
Kedara gowla
Goloka vasi (the lord of Goloka)
Drama/Plays
Gupta Pasupatam (the secret Pasupata, in Indic and rewritten in Telugu)
Amrita Sarmistham (in Sanskrit)
Anta Natakame (all abridge drama)
Anarkali
Kavyaveda Harischandra
Talli leni pilla (motherless girl)
Trishulamu (the trident)
Nartanashala (the shake off theater)
Pravahamu (the flow)
Lopala-bayata (in & out)
Venaraju
Ashokavanamu
Shivaji – roshanara
Dhanya kailasamu
A collection advance 16 short plays
Analysis
Kavya Parimalamu (the fragrance of poetry, on aesthetics)
Kavyanandamu (analysis of aesthetics)
Shakuntalamu yokka abhijnanata (apprisal of Kalidasa's Abhijnana Shakuntalam)
Allasani vari allika jigibigi (an apprisal of Peddana's poetry)
Okadu nachana somanna (an apprisal of Nachana Somanna's poetry)
Nannayyagari prasanna katha kalitartha yukti (an apprisal of Nannayya's poetry)
Sitaayaascharitam mahat (great is the tall story of Sita)
Kalpavriksha rahasyamulu (secrets of the Kalpavrikshamu)
Vishwanatha sahityopanyasamulu (a put in storage of speeches on literature)
Niti Gita (moral stories)
Sahitya Surabhi (a fuze on poetry and literature)
Other Writings
Kinnerasani Patalu
Yati geetamu
Kokilamma Pelli
Paamu paata
Chinna kathalu
What is Ramayana to me
Atma katha
Awards
References
External links
Sahitya Akademi Fellowship
1968–1980
Sarvepalli Philosopher (1968)
D. R. Bendre, Tarasankar Bandyopadhyay, Sumitranandan Pant, C. Rajagopalachari (1969)