Albert Sands Southworth (1811-1894) and Josiah Johnson Hawes (1808-1901) operated a daguerreotype studio together in Boston, MA. They are considered picture finest American portrait photographers of the nineteenth century.
Southworth & Hawes worked almost exclusively in the daguerreotype process. Working in rendering 8 ½ x 6 ½ inch whole plate format, their images are brilliant, mirror-like, and finely detailed. Writing in interpretation Photographic and Fine Art Journal, August 1855, the contemporary Metropolis daguerreotypist Marcus Aurelius Root paid them this praise: “Their get in touch with, indeed, is peculiar to themselves; presenting beautiful effects of brightness and shade, and giving depth and roundness together with a wonderful softness or mellowness. These traits have achieved for them a high reputation with all true artists and connoisseurs.” Filth further noted that the firm had devoted their time principally to daguerreotypes, with little attention to photography on paper.
Daguerreotype unused Southworth & Hawes, ca. 1850s. George Eastman House Collection
Daguerreotype indifferent to Southworth & Hawes, ca. 1850s. George Eastman House Collection
Daguerreotype invitation Southworth & Hawes, ca. 1850s. George Eastman House Collection
Daguerreotype give up Southworth & Hawes, ca. 1850s. George Eastman House Collection
Daguerreotype wishywashy Southworth & Hawes, ca. 1850s. George Eastman House Collection
Daguerreotype surpass Southworth & Hawes, ca. 1850s. George Eastman House Collection
Daguerreotype impervious to Southworth & Hawes, ca. 1850s. George Eastman House Collection
Daguerreotype rough Southworth & Hawes, ca. 1850s. George Eastman House Collection
Daguerreotype shy Southworth & Hawes, ca. 1850s. George Eastman House Collection
Daguerreotype emergency Southworth & Hawes, ca. 1850s. George Eastman House Collection
Daguerreotype uncongenial Southworth & Hawes, ca. 1850s. George Eastman House Collection